There are four primary elements that form breaking. These include toprock, downrock, power moves, and freezes/suicides.
Toprock  generally refers to any string of steps performed from a standing  position. It is usually the first and foremost opening display of style,  though dancers often transition from other aspects of breaking to  toprock and back. Toprock has a variety of steps which can each be  varied according to the dancer's expression (ie. aggressive, calm,  excited). A great deal of freedom is allowed in the definition of  toprock: as long as the dancer maintains cleanness, form and the b-boy  attitude, theoretically anything can be toprock. Toprock can draw upon  many other dance styles such as popping, locking, or house dance.  Transitions from toprock to downrock and power moves are called  drops.[20]
Downrock (also known as "footwork" or  "floorwork") is used to describe any movement on the floor with the  hands supporting the dancer as much as the feet. Downrock includes moves  such as the foundational 6-step, and its variants such as the 3-step or  other small steps that add style. The most basic of downrock is done  entirely on feet and hands but more complex variations can involve the  knees when threading limbs through each other.
Power  moves are acrobatic moves that require momentum, speed, endurance,  strength, and control to execute. The breaker is generally supported by  his upper body, while the rest of his body creates circular momentum.  Notable examples are the windmill, swipe, and head spin. Some power  moves are borrowed from gymnastics and martial arts. An example of a  power move taken from gymnastics is the Thomas Flair which is shortened  and spelled flare in b-boying.
Freezes are stylish  poses, and the more difficult require the breaker to suspend himself or  herself off the ground using upper body strength in poses such as the  pike. They are used to emphasize strong beats in the music and often  signal the end of a b-boy set. Freezes can be linked into chains or  "freeze ladders" where breakers change positions to the music to display  musicality and physical strength.
Suicides like  freezes are used to emphasize a strong beat in the music and signal the  end to a routine. In contrast to freezes, suicides draw attention to the  motion of falling or losing control, while freezes draw attention to a  controlled final position. Breakers will make it appear that they have  lost control and fall onto their backs, stomachs, etc. The more painful  the suicide appears, the more impressive it is, but breakers execute  them in a way to minimize pain.

 
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